Green leather spine, gilt lettering, cloth boards. VI of 12 volumes.

Silas Marner: The Weaver of Raveloe is the third novel by Mary Ann Evans (George Eliot). It was published in 1861. An outwardly simple tale of a linen weaver, the novel is notable for its strong realism and its sophisticated treatment of a variety of issues ranging from religion to industrialisation to community.

THE PLOT

The novel is set in the early years of the 19th century. Silas Marner, a weaver, is a member of a small Calvinist congregation in Lantern Yard, a slum street in Northern England. He is falsely accused of stealing the congregation’s funds while watching over the very ill deacon. Two pieces of evidence implicate Silas: a pocketknife, and the discovery in his own house of the bag formerly containing the money. There is the strong suggestion that Silas’ best friend, William Dane, has framed him, since Silas had lent his pocketknife to William shortly before the crime was committed. Lots are drawn in the belief – also shared by Silas – that God will direct the process and establish the truth, but they indicate that Silas is guilty. The woman Silas was to marry breaks their engagement and marries William instead. With his life shattered, his trust in God lost, and his heart broken, Silas leaves Lantern Yard and the city for a rural area where he is unknown.

Silas travels south to the Midlands and settles near the rural village of Raveloe in Warwickshire where he lives isolated and alone, choosing to have only minimal contact with the residents beyond his work as a linen weaver. He devotes himself wholeheartedly to his craft and comes to adore the gold coins he earns and hoards from his weaving.

One foggy night, Silas’ two bags of gold are stolen by Dunstan (“Dunsey”) Cass, a dissolute younger son of Squire Cass, the town’s leading landowner. On discovering the theft, Silas sinks into a deep depression despite the villagers’ attempts to aid him. Dunsey immediately disappears, but the community makes little of this disappearance since he has vanished several times before.

Godfrey Cass, Dunsey’s elder brother, also harbours a secret past. He is married to, but estranged from, Molly Farren, an opium-addicted working-class woman living in another town. This secret prevents Godfrey from marrying Nancy Lammeter, a young middle-class woman. On a winter’s night, Molly tries to make her way to Squire Cass’s New Year’s Eve party with her two-year-old girl to announce that she is Godfrey’s wife. On the way, she collapses in the snow and loses consciousness. The child wanders into Silas’ house. Silas follows the child’s tracks in the snow and discovers the woman dead. When he goes to the party for help, Godfrey heads outdoors to the scene of the accident, but resolves to tell no one that Molly was his wife. Molly’s death, conveniently for Godfrey and Nancy, puts an end to the marriage.

Silas keeps the child and names her Eppie, after his deceased mother and sister, both named Hephzibah. Eppie changes Silas’ life completely. Silas has been robbed of his material gold but thinks that he has it returned to him symbolically in the form of the golden-haired child. Godfrey Cass is now free to marry Nancy but continues to conceal the fact of his previous marriage—and child—from her. However, he aids Marner in caring for Eppie with occasional financial gifts. More practical help and support in bringing up the child is provided by Dolly Winthrop, Marner’s kindly neighbour. Dolly’s help and advice assist Marner not only in bringing up Eppie, but also in integrating them into village society.

Sixteen years pass, and Eppie grows up to be the pride of the village. She has a strong bond with Silas, who through her has found a place in the rural society and a purpose in life. Meanwhile, Godfrey and Nancy mourn their own childless state, after the death of their baby. Eventually, the skeleton of Dunstan Cass—still clutching Silas’ gold—is found at the bottom of the stone quarry near Silas’ home, and the money is duly returned to Silas. Shocked by this revelation, and coming to the realisation of his own conscience, Godfrey confesses to Nancy that Molly was his first wife and that Eppie is his child. They offer to raise her as a gentleman’s daughter, but this would mean Eppie would have to forsake living with Silas. Eppie politely but firmly refuses, saying, “I can’t think o’ no happiness without him.”

Silas revisits Lantern Yard, but his old neighbourhood has been “swept away” in the intervening years; the place is now replaced by a large factory. No one seems to know what happened to Lantern Yard’s inhabitants. However, Silas contentedly resigns himself to the fact that he will never know and now leads a happy existence among his self-made family and friends. In the end, Eppie marries a local boy she has grown up with, Dolly’s son Aaron, and they move into Silas’ house, which has been newly improved courtesy of Godfrey. Silas’ actions through the years in caring for Eppie have apparently provided joy for everyone, and the extended family celebrates its happiness.

Mary Ann Evans (22 November 1819 – 22 December 1880; alternatively, Mary Anne or Marian), known by her pen name George Eliot, was an English novelist, poet, journalist, translator and one of the leading writers of the Victorian era. She wrote seven novels: Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862–63), Felix Holt, the Radical (1866), Middlemarch (1871–72) and Daniel Deronda (1876). Like Charles Dickens and Thomas Hardy, she emerged from provincial England; most of her works are set there. She is known for their realism, psychological insight, sense of place and detailed depiction of the countryside.

Although female authors were published under their own names during her lifetime, she wanted to escape the stereotype of women’s writing being limited to light-hearted romances. She also wanted to have her fiction judged separately from her already extensive and widely known work as a translator, editor, and critic. Another factor in her use of a pen name may have been a desire to shield her private life from public scrutiny, thus avoiding the scandal that would have arisen because of her relationship with the married George Henry Lewes.

Middlemarch was described by the novelist Virginia Woolf as “one of the few English novels written for grown-up people” and by Martin Amis and Julian Barnes as the greatest novel in the English language.