Navy calf binding with gilt decoration and title on the spine. Gilt border decoration on the boards. Dimensions are for one volume.

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4th edition. 2 volumes – see photographs: Notes on the text in each Volume. A lovely set.

The Curse of Kehama is an 1810 epic poem composed by Robert Southey. The origins of the poem can be traced to Southey’s schoolboy days when he suffered from insomnia, along with his memories of a dark and mysterious schoolmate that later formed the basis for one of the poem’s villains. The poem was started in 1802 following the publication of Southey’s epic Thalaba the Destroyer. After giving up on the poem for a few years, he returned to it after prompting by the poet Walter Savage Landor encouraged him to complete his work. When it was finally published, it sold more copies than his previous works.

The poem is divided into twelve “books”. Its first half describes how the evil priest Kehama is able to gain significant amounts of demonic power in a quest to become a god. This is interrupted when his son Arvalan is killed after attempting to have his way with Kailyal, a peasant girl. After the death of his son, Kehama begins to wage war upon Yamen, the god of death, and curses Ladurlad, his son’s killer. However, the curse allows Ladurlad the ability to become a hero of significant strength, and he uses that power to work with the Hindu gods in a quest to defeat Kehama and ensure the safety of Kailyal. Eventually, Ladurlad is able to defeat Kehama and is freed from his curse.

Although the poem describes Hindu myth it is heavily influenced by Zoroastrian theology, and the ideal of a dualistic moral system. Part of Southey’s focus on India stems from the recent British colonial expansion into India and the increasing interest by British citizens in Indian culture. Critics gave the work mixed reviews; many praised the quality of the poem’s language, but others felt that the plot or choice of subject matter was lacking.

Robert Southey (12 August 1774 – 21 March 1843) was an English poet of the Romantic school, and Poet Laureate from 1813 until his death. Like the other Lake Poets, William Wordsworth and Samuel Taylor Coleridge, Southey began as a radical but became steadily more conservative as he gained respect for Britain and its institutions. Other romantics such as Byron accused him of siding with the establishment for money and status. He is remembered especially for the poem “After Blenheim” and the original version of “Goldilocks and the Three Bears”.