The Autobiography of Benvenuto Cellini.

Printed: 1967

Publisher: Folio Society. London

Dimensions 17 × 26 × 3.5 cm
Language

Language: English

Size (cminches): 17 x 26 x 3.5

£15.00
Buy Now

Item information

Description

In a fitted box. Red cloth binding with gilt design of front board. Gilt title and design on the spine.

It is the intent of F.B.A. to provide an in-depth photographic presentation of this book offered so to almost stimulate your feel and touch on the book. If requested, more traditional book descriptions are immediately available.

The Autobiography of Benvenuto Cellini was started in the year 1558 at the age of 58 and ended abruptly just before his last trip to Pisa around the year 1563 when Cellini was approximately 63 years old. The memoirs give a detailed account of his singular career, as well as his loves, hatreds, passions, and delights, written in an energetic, direct, and racy style; as one critic wrote “Other goldsmiths have done finer work, but Benvenuto Cellini is the author of the most delightful autobiography ever written.” Cellini’s writing shows a great self-regard and self-assertion, sometimes running into extravagances which are impossible to credit. He even writes in a complacent way of how he contemplated his murders before carrying them out. He writes of his time in Paris:

When certain decisions of the court were sent me by those lawyers, and I perceived that my cause had been unjustly lost, I had recourse for my defence to a great dagger I carried; for I have always taken pleasure in keeping fine weapons. The first man I attacked was a plaintiff who had sued me; and one evening I wounded him in the legs and arms so severely, taking care, however, not to kill him, that I deprived him of the use of both his legs. Then I sought out the other fellow who had brought the suit and used him also such wise that he dropped it.

— The Autobiography of Benvenuto Cellini, Ch. XXVIII, translated by John Addington Symonds, Dolphin Books, 1961

Parts of his tale recount some extraordinary events and phenomena; such as his stories of conjuring up a legion of devils in the Colosseum, after one of his mistresses had been spirited away from him by her mother; of the marvellous halo of light which he found surrounding his head at dawn and twilight after his Roman imprisonment, and his supernatural visions and angelic protection during that adversity; and of his being poisoned on two separate occasions.

The autobiography was translated into English by Thomas Roscoe, by John Addington Symonds, by Robert H.H. Cust and Sidney J.A. Churchill (1910), and by Anne Macdonell. It has been considered and published as a classic, and commonly regarded as one of the more colourful autobiographies (certainly the most important autobiography from the Renaissance).

Benvenuto 3 November 1500 – 13 February 1571) was an Italian goldsmith, sculptor, and author. His best-known extant works include the Cellini Salt Cellar, the sculpture of Perseus with the Head of Medusa, and his autobiography, which has been described as “one of the most important documents of the 16th century.”

Want to know more about this item?

We are happy to answer any questions you may have about this item. In addition, it is also possible to request more photographs if there is something specific you want illustrated.
Ask a question
Image

Share this Page with a friend