Paperback. Beige card binding with black title and red decoration on the front board. Dimensions are for one volume.

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These three rare volumes by Clouzot are a hive down rendition of Rabelais famous work. They are in good order as the photographs display.

The Five Books of the Lives and Deeds of Gargantua and Pantagruel (French: Les Cinq livres des faits et dits de Gargantua et Pantagruel), often shortened to Gargantua and Pantagruel or the Cinq Livres (Five Books),is a pentalogy of novels written in the 16th century by François Rabelais. It tells the adventures of two giants, Gargantua and his son Pantagruel. The work is written in an amusing, extravagant, and satirical vein, features much erudition, vulgarity, and wordplay, and is regularly compared with the works of William Shakespeare and James Joyce. Rabelais was a polyglot, and the work introduced “a great number of new and difficult words … into the French language”.

The work was stigmatised as obscene by the censors of the Collège de la Sorbonne. In a social climate of increasing religious oppression in the lead up to the French Wars of Religion, contemporaries treated it with suspicion and avoided mentioning it. It is the origin of the word “pantagruelism,” meaning “burlesque comedy that has an underlying serious purpose.”

François Rabelais (born between 1483 and 1494; died 1553) was a French writer who has been called the first great French prose author. A humanist of the French Renaissance and Greek scholar, he attracted opposition from both Protestant theologian John Calvin and from the hierarchy of the Catholic Church. Though in his day he was best known as a physician, scholar, diplomat, and Catholic priest, later he became better known as a satirist for his depictions of the grotesque, and for his larger-than-life characters.

Living in the religious and political turmoil of the Reformation, Rabelais treated the great questions of his time in his novels. Rabelais admired Erasmus and like him is considered a Christian humanist. He was critical of medieval scholasticism and lampooned the abuses of powerful princes and popes.

Rabelais is widely known for the first two volumes relating the childhoods of the giants Gargantua and Pantagruel written in the style of bildungsroman; his later works—the Third Book (which prefigures the philosophical novel) and the Fourth Book are considerably more erudite in tone. His literary legacy gave rise to the word Rabelaisian, an adjective meaning “marked by gross robust humor, extravagance of caricature, or bold naturalism.”

Henri-Georges Clouzot (20 November 1907 – 12 January 1977) was a French film director, screenwriter and producer. He is best remembered for his work in the thriller film genre, having directed The Wages of Fear (1953) and Les Diaboliques (1955), which are critically recognized as among the greatest films of the 1950s. He also directed documentary films, including The Mystery of Picasso (1956), which was declared a national treasure by the government of France.

Clouzot was an early fan of the cinema and, desiring a career as a writer, moved to Paris. He was later hired by producer Adolphe Osso to work in Berlin, writing French-language versions of German films. After being fired from UFA studio in Nazi Germany due to his friendship with Jewish producers, Clouzot returned to France, where he spent years bedridden after contracting tuberculosis. Upon recovering, he found work in Nazi-occupied France as a screenwriter for the German-owned company Continental Films. At Continental, Clouzot wrote and directed films that were very popular. His second film Le Corbeau drew controversy over its harsh look at provincial France, and he was fired from Continental before its release. As a result of his association with Continental, he was barred by the French government from filmmaking until 1947.

After the ban was lifted, Clouzot re-established his reputation and popularity in France during the late 1940s with successful films including Quai des Orfèvres. After the release of his comedy film Miquette, Clouzot married Véra Gibson-Amado, who would star in his next three feature films. In the early and mid-1950s, Clouzot drew acclaim from international critics and audiences for The Wages of Fear and Les Diaboliques; both films would serve as source material for remakes decades later. After the release of La Vérité, his wife Véra died of a heart attack, and Clouzot’s career suffered due to depression, illness and new critical views of films from the French New Wave.

Clouzot’s career became less active in later years, limited to a few television documentaries and two feature films in the 1960s. He wrote several unused scripts in the 1970s and died in Paris in 1977.