Green cloth binding with gilt title on the spine.

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For conditions, please view our photographs. A nice clean original book from the library gathered by the famous Cambridge Don, computer scientist, food and wine connoisseur, Jack Arnold LANG. 

This book was the property of Jack’s mother who was a very keen theatre goer. 

David Garrick (19 February 1716 – 20 January 1779) was an English actor who wrote and produced and influenced nearly all aspects of European theatrical practice throughout the 18th century, and was a pupil and friend of Samuel Johnson. He appeared in several amateur theatricals, and with his appearance in the title role of Shakespeare’s Richard III, audiences and managers began to take notice.

Impressed by his portrayals of Richard III and several other roles, Charles Fleetwood engaged Garrick for a season at the Theatre Royal, Drury Lane in the West End. He remained with the Drury Lane company for the next five years and purchased a share of the theatre with James Lacy. This purchase inaugurated 29 years of Garrick’s management of the Drury Lane, during which time it rose to prominence as one of the leading theatres in Europe. At his death, three years after he retired from Drury Lane and the stage, he was given a lavish public funeral at Westminster Abbey where he was buried in Poets’ Corner.

As an actor, Garrick promoted realistic acting that departed from the bombastic style that was entrenched when he first came to prominence. His acting delighted many audiences and his direction of many of the top actors of the English stage influenced their styles as well. During his tenure as manager of Drury Lane, Garrick also sought to reform audience behaviour. While this led to some discontent among the theatre-going public, many of his reforms eventually did take hold. Garrick also sought reform in production matters, bringing an overarching consistency to productions that included set design, costumes and even special effects.

Garrick’s influence extended into the literary side of theatre as well. Critics are almost unanimous in saying he was not a good playwright,but his work in bringing Shakespeare to contemporary audiences is notable. In addition, he adapted many older plays in the repertoire that might have been forgotten. These included many plays of the Restoration era. Indeed, while influencing the theatre towards a better standard he also gained a better reputation for theatre people. This accomplishment led Samuel Johnson to remark that “his profession made him rich and he made his profession respectable.”

Percy Hetherington Fitzgerald (26 April 1830 – 24 November 1925) was an Anglo-Irish author and critic, painter and sculptor. Fitzgerald was born in Ireland at Fane Valley, County Louth, the son of Thomas FitzGerald. He was educated at Belvedere college Dublin, Stonyhurst College, Lancashire, and at Trinity College, Dublin. He was called to the Irish bar and was for a time crown prosecutor on the northeastern circuit. After moving to London, he became a contributor to Charles Dickens’s magazine, Household Words, and later a dramatic critic for the Observer and the Whitehall Review. Among his many writings are numerous biographies and works relating to the history of the theatre.