Red cloth binding with black title on the spine and front board.

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For book conditions, please view the photographs. Erotica. First published in 1904. A 1904 novel that delves into the intricate interplay between artistic ambition, personal desire, and societal expectations. Set in early 20th-century England, the narrative follows Victor, a passionate yet struggling writer whose manuscripts are consistently rejected due to their unconventional religious views and critiques of societal norms. His engagement to his cousin Lucia, an aspiring artist, adds complexity to his life, as he grapples with the tension between his creative pursuits and romantic aspirations. ? The novel explores Victor’s internal conflicts as he strives for literary success while adhering to a promise made to his father: to achieve publication before marrying Lucia. This commitment leads him to suppress his physical desires, fearing that intimacy might awaken passions he cannot fulfill. ? To-morrow is emblematic of the New Woman literature movement, challenging traditional gender roles and advocating for women’s autonomy. Through its portrayal of Victor and Lucia’s relationship, the novel examines themes of love, ambition, and the sacrifices made in pursuit of personal and artistic fulfillment.?

Annie Sophie Cory (1 October 1868 – 2 August 1952) was a British author of popular, racy, exotic New Woman novels under the pseudonyms Victoria Cross(e),[Vivian Cory and V.C. Griffin. Annie Sophie Cory was the youngest of three daughters born to Colonel Arthur Cory and his wife Fanny Elizabeth Griffin. Her older sisters were the poet Adela Florence Nicolson and the editor Isabell Tate, who edited the Sind Gazette in India. She was born in Rawalpindi, Punjab, and was also baptized there on 27 October 1868. Her father was employed in the British army at Lahore, where he was editor of the Lahore arm of The Civil and Military Gazette. Despite her parents’ sojourn in India, they eventually returned to England, having maintained ties to their native country. Cory attended London University at nineteen years old in 1888, but did not graduate. In the 1891 England Census, Cory is listed as residing at 35 Tavistock Crescent, Paddington, London with her mother. After Arthur’s death in 1903, Annie traveled extensively over the Continent with her maternal uncle, Heneage McKenzie Griffin, who was the owner of the Seven-Thirty silver mine in Boulder, Colorado and prominently involved in the mining industry as one of its richest entrepreneurs. They lived together from 1916 to 1939, until his death in Italy. Having been bequeathed her uncle’s entire fortune, Cory settled in Monte Carlo to live with female friends. She also had a residence at 8 Via Cantonale Legano, Switzerland. After her death in Milan, Italy, Cory was buried beside her uncle in 1952. She left £87,304 10s 8d in her will. Annie Sophie’s most established pseudonym was Victoria Cross. According to The Bookman, she chose this pseudonym, “because her initials are V.C. and…she is the descendent of a V.C.” (Victoria Cross medal recipient). Themes: Cory’s stories often detail behaviors and desires unusual in the Victorian period such as female cross-dressing, unbridled and unashamed sexual desire, longing for and fear of interracial sexual relationships, and questioning of traditional heterosexual gender roles for men and women. Though her reputation as a writer of New Woman fiction is now more obscure, Cory is remembered chiefly as an author of decadent literature.

The New Woman was a feminist ideal that emerged in the late 19th century and had a profound influence well into the 20th century. In 1894, writer Sarah Grand (1854–1943) used the term “new woman” in an influential article to refer to independent women seeking radical change. In response the English writer Ouida (Maria Louisa Ramé) used the term as the title of a follow-up article. The term was further popularized by British-American writer Henry James, who used it to describe the growth in the number of feminist, educated, independent career women in Europe and the United States.The New Woman pushed the limits set by a male-dominated society. Independence was not simply a matter of the mind; it also involved physical changes in activity and dress, as activities such as bicycling expanded women’s ability to engage with a broader, more active world.