Brown grained cloth with gilt lettering on the spine. Embossed ship on front cover.

The Three Musketeers is a French historical adventure novel written in 1844 by French author Alexandre Dumas. It is in the swashbuckler genre, which has heroic, chivalrous swordsmen who fight for justice.

Set between 1625 and 1628, it recounts the adventures of a young man named d’Artagnan (a character based on Charles de Batz-Castelmore d’Artagnan) after he leaves home to travel to Paris, hoping to join the Musketeers of the Guard. Although d’Artagnan is not able to join this elite corps immediately, he is befriended by three of the most formidable musketeers of the age – Athos, Porthos and Aramis, “the three musketeers” or “the three inseparables” – and becomes involved in affairs of state and at court.

The Three Musketeers is primarily a historical and adventure novel. However, Dumas frequently portrays various injustices, abuses and absurdities of the Ancien Régime, giving the novel an additional political significance at the time of its publication, a time when the debate in France between republicans and monarchists was still fierce. The story was first serialised from March to July 1844, during the July Monarchy, four years before the French Revolution of 1848 violently established the Second Republic.

The story of d’Artagnan is continued in Twenty Years After and The Vicomte of Bragelonne: Ten Years Later.

Alexandre Dumas (born Dumas Davy de la Pailleterie (24 July 1802 – 5 December 1870), also known as Alexandre Dumas père (where père is French for ‘father’, to distinguish him from his son Alexandre Dumas fils), was a French writer. His works have been translated into many languages and he is one of the most widely read French authors. Many of his historical novels of high adventure were originally published as serials, including The Count of Monte Cristo, The Three Musketeers, Twenty Years After and The Vicomte of Bragelonne: Ten Years Later. His novels have been adapted since the early twentieth century into nearly 200 films.

Prolific in several genres, Dumas began his career by writing plays, which were successfully produced from the first. He also wrote numerous magazine articles and travel books; his published works totalled 100,000 pages. In the 1840s, Dumas founded the Théâtre Historique in Paris.

His father, General Thomas-Alexandre Dumas Davy de la Pailleterie, was born in the French colony of Saint-Domingue (present-day Haiti) to Alexandre Antoine Davy de la Pailleterie, a French nobleman, and Marie-Cessette Dumas, an African slave. At age 14, Thomas-Alexandre was taken by his father to France, where he was educated in a military academy and entered the military for what became an illustrious career.

Dumas’s father’s aristocratic rank helped young Alexandre acquire work with Louis-Philippe, Duke of Orléans, then as a writer, a career which led to early success. Decades later, after the election of Louis-Napoléon Bonaparte in 1851, Dumas fell from favour and left France for Belgium, where he stayed for several years, then moved to Russia for a few years before going to Italy. In 1861, he founded and published the newspaper L’Indépendent, which supported Italian unification, before returning to Paris in 1864.

Though married, in the tradition of Frenchmen of higher social class, Dumas had numerous affairs (allegedly as many as 40). He was known to have had at least four illegitimate children, although twentieth-century scholars believe it was seven. He acknowledged and assisted his son, Alexandre Dumas, to become a successful novelist and playwright. They are known as Alexandre Dumas père (‘father’) and Alexandre Dumas fils (‘son’). Among his affairs, in 1866, Dumas had one with Adah Isaacs Menken, an American actress then less than half his age and at the height of her career.

The English playwright Watts Phillips, who knew Dumas in his later life, described him as “the most generous, large-hearted being in the world. He also was the most delightfully amusing and egotistical creature on the face of the earth. His tongue was like a windmill – once set in motion, you never knew when he would stop, especially if the theme was himself.”