The Cricket on the Hearth.

By Charles Dickens.

Printed: 1880- 1910

Publisher: Cassell & Company Ltd

Dimensions 11 × 15 × 1.5 cm
Language

Language: English

Size (cminches): 11 x 15 x 1.5

Condition: Very good  (See explanation of ratings)

£25.00
Buy Now

Item information

Description

Cloth binding. Black lettering with gilt title on front cover.

The Cricket on the Hearth: A Fairy Tale of Home is a novella by Charles Dickens, published by Bradbury and Evans, and released 20 December 1845 with illustrations by Daniel Maclise, John Leech, Richard Doyle, Clarkson Stanfield and Edwin Henry Landseer. Dickens began writing the book around 17 October 1845 and finished it by 1 December. Like all of Dickens’s Christmas books, it was published in book form, not as a serial.

Dickens described the novel as “quiet and domestic […] innocent and pretty.” It is subdivided into chapters called “Chirps”, similar to the “Quarters” of The Chimes or the “Staves” of A Christmas Carol. It is the third of Dickens’s five Christmas books, preceded by A Christmas Carol (1843) and The Chimes (1844), and followed by The Battle of Life (1846) and The Haunted Man and the Ghost’s Bargain (1848).

 THE PLOT

John Peerybingle, a carrier, lives with his young wife Dot, their baby boy and their nanny Tilly Slowboy. A cricket chirps on the hearth and acts as a guardian angel to the family. One day a mysterious elderly stranger comes to visit and takes up lodging at Peerybingle’s house for a few days.

The life of the Peerybingles intersects with that of Caleb Plummer, a poor toymaker employed by the miser Mr. Tackleton. Caleb has a blind daughter Bertha, and a son Edward, who travelled to South America and is thought to be dead.

The miser Tackleton is now on the eve of marrying Edward’s sweetheart, May, but she does not love Tackleton. Tackleton tells John Peerybingle that his wife Dot has cheated on him, and shows him a clandestine scene in which Dot embraces the mysterious lodger; the latter, who is in disguise, is actually a much younger man than he seems. John is cut to the heart over this as he loves his wife dearly but decides after some deliberations to relieve his wife of their marriage contract.

In the end, the mysterious lodger is revealed to be none other than Edward who has returned home in disguise. Dot shows that she has indeed been faithful to John. Edward marries May hours before she is scheduled to marry Tackleton. However, Tackleton’s heart is melted by the festive cheer (in a manner reminiscent of Ebenezer Scrooge), and he surrenders May to her true love.

Charles John Huffam Dickens FRSA (7 February 1812 – 9 June 1870) was an English writer and social critic. He created some of the world’s best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime and, by the 20th century, critics and scholars had recognised him as a literary genius. His novels and short stories are widely read today.

Born in Portsmouth, Dickens left school to work in a factory when his father was incarcerated in a debtors’ prison. Despite his lack of formal education, he edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed readings extensively, was an indefatigable letter writer, and campaigned vigorously for children’s rights, education and other social reforms.

Dickens’s literary success began with the 1836 serial publication of The Pickwick Papers, a publishing phenomenon—thanks largely to the introduction of the character Sam Weller in the fourth episode—that sparked Pickwick merchandise and spin-offs. Within a few years Dickens had become an international literary celebrity, famous for his humour, satire and keen observation of character and society. His novels, most of them published in monthly or weekly instalments, pioneered the serial publication of narrative fiction, which became the dominant Victorian mode for novel publication. Cliffhanger endings in his serial publications kept readers in suspense. The instalment format allowed Dickens to evaluate his audience’s reaction, and he often modified his plot and character development based on such feedback. For example, when his wife’s chiropodist expressed distress at the way Miss Mowcher in David Copperfield seemed to reflect her disabilities, Dickens improved the character with positive features. His plots were carefully constructed and he often wove elements from topical events into his narratives. Masses of the illiterate poor would individually pay a halfpenny to have each new monthly episode read to them, opening up and inspiring a new class of readers.

His 1843 novella A Christmas Carol remains especially popular and continues to inspire adaptations in every artistic genre. Oliver Twist and Great Expectations are also frequently adapted and, like many of his novels, evoke images of early Victorian London. His 1859 novel A Tale of Two Cities (set in London and Paris) is his best-known work of historical fiction. The most famous celebrity of his era, he undertook, in response to public demand, a series of public reading tours in the later part of his career.

The term Dickensian is used to describe something that is reminiscent of Dickens and his writings, such as poor social or working conditions, or comically repulsive characters.

Dickens gave recitals of his work in FBA’s Bar Street’s neighbouring street in Scarborough.

Want to know more about this item?

We are happy to answer any questions you may have about this item. In addition, it is also possible to request more photographs if there is something specific you want illustrated.
Ask a question
Image

Share this Page with a friend