Mottled calf binding with raised banding, gilt decotation and title on the spine. Two books, dimensions are for one volume. Spines rebacked, original boards

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Now a much overlooked book, these volumes were translated from German both into French and then English. Many consider these volumes as being central to the Enlightenment thought of the 18th Century.

RABENER, GOTTLIEB WILHELM.: Satyres de M Rabener, Traduction Libre de l’Allemand par M de Boispreaux. Paris, P G Simon, 1754. 4 volumes bound in 2, 12mo, title pages in red and black with engraved vignettes, bound in contemporary mottled calf, neatly rebacked, spines gilt ruled with raised bands and red label, corners worn round, original marbled endpapers preserved, a very good tidy set, FIRST EDITION IN FRENCH, said to be a free one, and by the notable translator Boispreaux, pseudonym of Benigne Dijardin. The satirical essays of Rabener had created quite a stir in literary circles after their first publication in book form in the original German in 1751. with further volumes published later. Many of the essays using clever irony satirize Rabener’s own literary and critical profession, notoriously the one in which he ridicules the use of footnotes by creating parody of the practice. An English translation appeared in 1757.

Gottlieb Wilhelm Rabener (17 September 1714 – 22 March 1771), was a German writer of prose satires and publicist of the Enlightenment. He was born at Wachau near Leipzig, and he died at Dresden.

In 1741 he made his debut as satirist in Schwabe’s Belustigungen des Verstandes und Witzes, and was subsequently a contributor to the Bremer Beitrage. Rabener’s satires are mainly levelled at the follies of the middle classes. The papers which he published in the Bremer Beitrage were subsequently collected in a Sammlung satirischer Schriften (2 vols., 1751), to which two volumes were added in 1755.

Rabener is especially notorious for his parodic dissertation, Hinkmars von Repkow Noten Ohne Text, which levels a snide charge against the futility and bankruptcy of the practice of footnoting, by consisting entirely of footnotes itself. Rabener cavalierly claimed that since footnotes and endnotes seemed to have become the key to winning lasting authorial fame, he had accordingly composed his dissertation entirely in notes, and left it to others to produce the text he had annotated proleptically.

People like Dr. Benjamin Franklin & Thomas Paine were influenced by the Enlightenment, it could be said Rabener and other writers of his time were a driving force behind this movement.

He came to Dresden in 1753, lost most of his manuscripts during the Seven Year War, at the siege of Dresden by the Prussians in July 1760. But his complete works “Briefe” were published in 1772 by Christian Felix Weiße (1726-1804).

By 1763 Rabener was promoted to the tax council in Dresden, he suffers his first stroke in 1767, a painting titled and dated verso,”Steuerralh Gottlieb Wilhelm Rabener,” oil on canvas is created after his second stroke in 1769 now currently held in a private collection. Not much is known of his tax collecting for Frederick the Great or the last years before his death, but it seems the strokes could have been a factor.