| Dimensions | 17 × 24 × 6.5 cm |
|---|---|
| Language |
In the original dustsheet. Green cloth binding with gilt title on the spine.
F.B.A. provides an in-depth photographic presentation of this item to stimulate your feeling and touch. More traditional book descriptions are immediately available.
This a great English fourteenth-century classic and source book of the Arthurian legend cycle, which is reset in modern type and fully illustrated in a single-volume edition and for the first time as a top-quality specification paperback. The paramount source of all stories about King Arthur and his Knights of the Round Table, of Merlin, Camelot, and the Holy Grail. “Le Morte D’Arthur” was first written in 1175 by Sir Thomas Malory, a Norman scholar about whom very little is known. This revised edition is not only highly illustrated but confronts and corrects the somewhat confusing editorial changes made by the first publisher of the book in 1485.
Le Morte d’Arthur (originally written as le morte Darthur; inaccurate Middle French for “The Death of Arthur”) is a 15th-century Middle English prose reworking by Sir Thomas Malory of tales about the legendary King Arthur, Guinevere, Lancelot, Merlin and the Knights of the Round Table, along with their respective folklore. In order to tell a “complete” story of Arthur from his conception to his death, Malory compiled, rearranged, interpreted and modified material from various French and English sources. Today, this is one of the best-known works of Arthurian literature. Many authors since the 19th-century revival of the legend have used Malory as their principal source.
Apparently written in prison at the end of the medieval English era, Le Morte d’Arthur was completed by Malory around 1470 and was first published in a printed edition in 1485 by William Caxton. Until the discovery of the Winchester Manuscript in 1934, the 1485 edition was considered the earliest known text of Le Morte d’Arthur and that closest to Malory’s original version. Modern editions under myriad titles are inevitably variable, changing spelling, grammar and pronouns for the convenience of readers of modern English, as well as often abridging or revising the material.

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