Cloth binding. Black lettering with gilt title on front cover.

Isaac Bickerstaff Esq was a pseudonym used by Jonathan Swift as part of a hoax to predict the death of then famous Almanac–maker and astrologer John Partridge.

“All Fools’ Day” (now known as April Fools’ Day which falls on 1 April) was Swift’s favourite of holidays and he often used this day to aim his biting satirical wit at non-believers in an attempt to “make sin and folly bleed.” Disgruntled by Partridge’s sarcastic attack about the “infallible Church” written in his 1708 issue of Merlinus Almanac, Swift carefully projected three letters and a eulogy as an elaborate plan to “predict” Partridge’s “infallible death” on April 1, All Fools’ Day.

The first of the three letters, Predictions for the Year 1708, published in January 1708, predicts, among other things, the death of Partridge by a “raging fever.” The second letter, The Accomplishment of the First of Mr. Bickerstaff’s Predictions, published in March 1708, Swift writes not as Bickerstaff but as a “man employed in the Revenue” where he “confirms” the imaginary Bickerstaff’s prediction. To accompany The Accomplishments Swift also publishes an Elegy for Partridge in which, typical of Swift’s satire, he blames not only Partridge, but those who purchase the Almanacs as well.

Jonathan Swift (30 November 1667 – 19 October 1745) was an Anglo-Irish satirist, essayist, political pamphleteer (first for the Whigs, then for the Tories), poet and Anglican cleric who became Dean of St Patrick’s Cathedral, Dublin, hence his common sobriquet, “Dean Swift”.

Swift is remembered for works such as A Tale of a Tub (1704), An Argument Against Abolishing Christianity (1712), Gulliver’s Travels (1726), and A Modest Proposal (1729). He is regarded by the Encyclopædia Britannica as the foremost prose satirist in the English language, and is less well known for his poetry. He originally published all of his works under pseudonyms—such as Lemuel Gulliver, Isaac Bickerstaff, M. B. Drapier—or anonymously. He was a master of two styles of satire, the Horatian and Juvenalian styles.

His deadpan, ironic writing style, particularly in A Modest Proposal, has led to such satire being subsequently termed “Swiftian”.