Alec Guinness.

By Piers Paul Read

Printed: 2003

Publisher: Simon & Schuster. London

Edition: First edition

Dimensions 17 × 24 × 5 cm
Language

Language: English

Size (cminches): 17 x 24 x 5

£22.00
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Item information

Description

In the original dustsheet. Black cloth binding with gilt title on the spine.

  • F.B.A. provides an in-depth photographic presentation of this item to stimulate your feeling and touch. More traditional book descriptions are immediately available.

Sir Alec Guinness was one of the greatest actors of the twentieth century. With a talent recognised by discerning critics from his very first appearance on the stage, he gained a world-wide reputation playing roles on the screen such as Fagin in Oliver Twist and Sidney Stratton in The Man in the White Suit. His performance as Colonel Nicholson in The Bridge on the River Kwai won him an Oscar and, in his later years, he captivated a new generation of admirers as George Smiley in Tinker, Tailor, Soldier, Spy and Obi-Wan Kenobi in Star Wars. Guinness was a man who vigorously guarded his privacy and, despite publishing an autobiography and two volumes of his diaries, he remained an enigma to the general public and a mystery even to his family and closest friends. After his death in August 2000, his widow, Merula, asked the author Piers Paul Read, who had been a friend of her husband, to write his authorised biography. Given full co-operation by the Guinness family and free access to Sir Alec’s papers, including his private and unpublished diaries, Read has written an enjoyable, yet penetrating and perceptive account of an intriguing and complex man. Read shows how Guinness’s quirks of character and genius had roots in the circumstances of his early life. His marriage to Merula Salaman, a young actress of great promise, is chronicled by the many hundred letters Guinness wrote to her when serving in the Navy during World War II, while his post-war diaries reveal that readjustment to civilian life was traumatic, with doubts about his talent and a confusion about his sexual nature leading to bouts of severe depression. Guinness’s conversion to Catholicism in 1956 partly exorcised his demons, but he never wholly escaped the contradictions of his life – his domestic ties vying with wayward passions, a yearning for holiness with an intolerance of constraint

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